Timotheé Chalamet is an omnipresent star, but he could use some competition

Timotheé Chalamet has been everywhere. From sitting courtside at every home New York Knicks playoff game with his richer and more famous girlfriend, Kylie Jenner, to standing on top of the Las Vegas Dome (illuminated as a giant orange ping pong ball) to promote his latest theatrical effort, “Marty Supreme.”

As is guaranteed with this amount of exposure, he has ruffled some feathers (some decontextualized, offhanded comments about ballet and opera have swept the internet), but he has only continued to rise in fame. 

His past five years have been undeniably massive: launching the “Dune” franchise to a pandemic-ridden audience, taking two messy swings in the following years with “Don’t Look Up” and “Bones and All” (one was much more successful than the other), dominating the box office three Christmases in a row with “Won...